What is bad:
There’s an inherent problem with such stories which are touted to be a work of fiction based on true incidents. Surya’s role leaves us in two minds whether to empathize with his life or to watch him just as a fictional character. The film is more of a biopic which narrates the life of Surya and biopics work when they are engaging and inspiring. ‘Striker’ falls short of being both. It does engage you in parts however it doesn’t sustain it till the end. On the other hand, the clash between Jaleel and Surya could have been handled in a better way. When the film is about how Surya’s perseverance to not succumb to the evils around him, the question is why does he keep landing at Jaleel’s door all the time? In a way, Jaleel fails to strike a terror especially for someone who has so much power.
Bottom Line:
‘Striker’ is neither a sports film nor is it a film of an underdog whose life is a fairytale. Underdog stories are often predictable and ‘Striker’ cleverly avoids falling in that trap. The best part about ‘Striker’ is it tries to narrate the human angle of a spirited young man who’s a great player of Carroms. Technically, the film is brilliant and most part of the film is set in the night. The 80’s look of Bombay has been made possible because most part of the film has been shot in cramped bylanes and slums of Mumbai and the design of the film looks authentic. Having said that, ‘Striker’ isn’t overwhelming and it’s engaging only in parts. In the end, ‘Striker’ isn’t the kind of film that you can watch and munch popcorn and drink cola. It demands you to look into the layers of Bombay, the slums, Carroms and how people struggle to make the right decision. Yes, it’s an honest film and it’s also better to be ‘prepared’ before you go to be struck by this ‘Striker’.
P.S:
A special mention to the ‘Carrom Consultant’, Zaid. Thanks to him, Siddharth can also look forward to a career in playing ‘Carroms’ besides acting, singing and possibly directing.
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